師大學報
Permanent URI for this collectionhttp://rportal.lib.ntnu.edu.tw/handle/20.500.12235/169
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Item 中國套色版畫發展史之研究(一)(國立臺灣師範大學研究發展處, 1985-06-??) 王秀雄This study deals with the development trend and technique evolution of the multi-colored woodblock printing from T'ang to Ming Dynasty. From the most ancient Chinese-ink woodblock printing "the Buddha Sakyumuni preaching in a garden, on the flyleaf of Diamond Sutra" down to the various kinds of multi-colored woodblock printing typified by "Shih-chu-chai ch'ien-p'u", in which the highly developed techni-ques were revealed. Between the most ancient and the above-mentioned multi-colored woodblock printing, a total of 876 years elapsed (868-1644). The technique evolution throughout these years could be roughly divided into three periods: (1) A change from Chinese-ink (black and white) woodblock printing to red-and-Chinese-ink woodblock printing. (2) The primitive stage of multi-colored blockwood printing: Blockwood printing with colored outline. (3) The golden age of multi-colored: Completion of multi-colored blockwood printing and low-relief-embossing techniques.As a matter of course, there were works and developed techniques representative of each of these periods. This study gives a detailed description of each of the typical works of art and evolution of the unique techniques.Item 從南京到北京(國立臺灣師範大學研究發展處, 1988-06-??) 朱鴻本文考察明初國都地點的選擇由南京到北京的過程，指出太祖雖定都南京，惟南京地居江南，太祖希望能在中原建都，幾經嘗試，行兩京制度。最後仍以南京為國都，主要是基於經濟的考慮，且南京形勝亦不甚差。自洪武十一年（一三七八）江南京為京師後，南京為明帝國唯一都城的地位十分鞏固。太祖晚年多異念，擬遷都關中，經江不欲勞民而止，南京為國都的地位未曾紛紛。太祖定都南京，是過縝密的考慮與規劃，不是貿然輕率的決定。太祖定都南京並非不智，明初並無遷都之必然性，更不必定要將國都遷往北京。成祖遷都北京實有私心，不僅是要崇陞其龍興之地，更是欲使其成為百世不遷之主，取得超越太祖，成為奠定明代萬年鴻基的創業帝王的地位。故而遷都北京，是成祖肯定其歷史地位，是其江篡弒奪得之政合法化的最重要的工作。