文學院

Permanent URI for this communityhttp://rportal.lib.ntnu.edu.tw/handle/20.500.12235/2

院成立於民國44年,歷經50餘年的銳意發展,目前設有國文、英文、歷史、地理、臺文等5個學系、翻譯和臺灣史2個獨立所,以及全球華人寫作中心和國際臺灣學研究中心。除臺史所僅設碩士班,其餘6個系所均設有碩、博士班;目前專兼任教師近250人,學生約2500餘人。

本院早期以培養優秀中學國文、英文、歷史和地理教師為鵠的,臺灣中學語文和史地教育的實踐與成功,本院提供不可磨滅的貢獻。近年來,本院隨師範體系轉型而調整發展方向,除維持中學師資培育的優勢外,也積極朝理論研究和實務操作等面向前進。目前,本院各系所師培生的教師檢定通過率平均在95%以上;非師培生在文化、傳播、文學、應用史學及環境災害、地理資訊系統等領域發展,也已卓然有成。

本院各系所教師的研究能量極為豐富,參與國內外學術活動相當活躍。根據論文數量、引用次數等指標所作的學術力評比,本院居人文領域全國第2名。各系所之間,無論是教師的教學與研究,或學生的生活與學習,都能相輔相成、榮辱與共,彼此渾然一體,足堪「為師、為範」而無愧。

Browse

Search Results

Now showing 1 - 3 of 3
  • Item
    高達美「言辭與圖像:如此的真實,如此的存在!」一文中十一個關於「圖像」的斷言
    (哲學與文化月刊雜誌社, 2003-03-01) 理查.帕瑪著; 鄧世安譯
    Professor Gadamer wrote two lengthy final essays that culminate his collection of essays on aesthetic theory in his Collected Works [Gesammelte Werke], volume 8, titled Kunst als Aussage [Art as Assertion]. The first of the two essays is "Wort und Bild:‘So wahr, so seiend!'" [Word and Image: "So true, so full of being!"] and the other is "Zur Phanomenologie von Ritual und Sprache" [On the Phenomenology of Ritual and Language]. Neither of these two late essays has yet been translated into English. The first was composed in 1991 and the other in 1992 and they appeared in volume 8 in 1993. At the 1998 meeting of the International Association for Philosophy and Literature, I offered the present paper as an analysis of Gadamer's concept of Bild (image) as given in the essay, "Wort und Bild." I presented my paper in the form of eleven assertions Gadamer makes about artworks that take the form of a visible image. I clarified each of the assertions briefly. Some of the major claims about the artwork that are made by Gadamer in these eleven propositions are: that it hold a certain sovereignty in its very being, it presents itself as contemporane- ous with the viewer no matter how old it may be, it "takes place" for the viewer as an event in time, it absorbs the viewer into itself, it is by no means merely a copy of something, it is both beautiful and true and escapes all external measurement, and finally it is "read" in the way that one reads a text. The process of reading has a great deal to say about the way we experience any artwork. These eleven assertions constitute a good introduction to Gadamer's account of the experience of the artwork.
  • Item
    組織體系理論、閱讀過程與電腦(下)
    (國立台灣師範大學英語學系, 1987-01-??) 謝燕隆
  • Item
    組織體系理論、閱讀過程與電腦(上)
    (國立台灣師範大學英語學系, 1986-10-??) 謝燕隆