臺灣天主教聖樂近五十年之面觀-以主教團禮儀委員會出版之聖樂作品為例

Abstract

本論文以臺灣天主教近五十年之聖樂作品為研究，以天主教臺灣地區主教團禮儀委員會聖樂組於1967年至2014年間出版之聖樂作品為範圍。主教團禮儀委員會聖樂組自1967年創立至2014年約五十年間，出版近三十本的聖樂歌集，筆者按出版作品的時間排序作整理研究。 第一章緒論探討寫作本文之研究動機與目的、研究方法及步驟、研究範圍與限制，並經由文獻探討探究天主教聖樂之相關論文，以及將天主教聖樂作一概述；第二章介紹臺灣天主教聖樂在梵二大公會議（1962年）之前的使用樂譜及歌曲形式，透過訪談及資料收集，分別有葛雷果聖歌形式之拉丁文聖歌及中文歌詞的聖樂譜，分類呈現該時期的作品；第三章將主教團禮儀委員會出版之作品分三個時期，將出版樂譜的內容大綱（內容、音樂形式、適用禮儀…等）作一整理；第四章將各時期的出版品，從每本樂譜中各選出二至三首代表性作品作樂曲形式（包含譜例、曲調、節奏分析等）之分析；第五章將前四章作統整歸納，並說明天主教聖樂的創作意義及目的及保存的重要性，以及筆者對臺灣天主教聖樂之發展與保存提出部份建議。 本論文透過實地訪談、資料蒐集、文獻探討，以分析、歷史研究等方法完成，期盼透過各項資料之整理、分析，讓信友對天主教聖樂有更深入的瞭解，並對整理和保存臺灣之天主教聖樂能盡一份心力。

The research object of this thesis is catholic sacred music of Taiwan in late 50 years, range from the compositions published during 1967 to 2014 in Chinese Regional Bishops’ Conference for sacred liturgy. The section of sacred music in Chinese Regional Bishops’ Conference has published about thirty catholic chants in 50 years since it was founded in 1967. The thesis was studied by its order of publishing. Chapter one “ introduction” tells the motivation, purpose, methods, steps, and the range as well as limit of this thesis, and also explores related theses on catholic sacred music through looking into materials and briefly tells the catholic sacred music as well; chapter two introduces about volumes and form of songs that Taiwan catholic sacred music used before Second Vatican Council hold in 1962, which is classified and presented into Gregorian chant form in Latin and volumes in Chinese lyrics in two periods by interviewing and data collecting. And researcher classified the compositions that Chinese Regional Bishops’ Conference published into three periods, put the outline（including musical form, etiquette application, and so forth）of volumes published in order. Choose two to three significant pieces to analyze their musical types from each volume in different periods（including score examples, tune, analysis of melody, and the like.）Chapter four analyzes two to three major pieces were chosen from each volume to analyse their forms. Chapter five summarizes and compares the previous four chapters, and explains the meaning of creating catholic sacred music, purpose, significance we have to preserve, and the researcher also gives some advices on development and preservation of them. The thesis is finished by on-the-spot investigation, collections of materials, discussion of bibliography, and it is finished by means of analysis, research, and such like, in the hope that through arrangement and analysis of the materials, the adherent will have a deeper understanding of catholic sacred music, and will make an effort to preserve catholic sacred music of Taiwan.