辛滬光交響詩《嘎達梅林》之作品分析與指揮詮釋

Abstract

《嘎達梅林》交響詩為女性作曲家辛滬光於1956年所創作的管弦樂作品，其創作手法將中國傳統音樂元素巧妙的揉合進西方管絃樂團，運用「交響詩」一體裁，成功將文學與音樂融合，成為中國管弦樂作品中的經典之作。而在此作品於發表並大受好評後，辛滬光將餘生的大量時間投入於蒙古民族音樂的研究與民歌採集，並開創蒙古地區西方音樂教育之先河。本論文從辛滬光的藝術生涯和作品背景入手，延伸至全面的樂曲分析，包括主題材料的對比、結構分析，以及段落分析，透過由淺入深的分析，對此作品進行完整的理解，最後對指揮詮釋的方面提出具體的指揮技術和建議。透過對《嘎達梅林》深度的音樂分析和詮釋，不僅揭示出作品的音樂美學與文化意義，也為此作品研究提供出新的視角。本文最後強調了辛滬光對中國音樂和蒙古文化的貢獻，並指出未來研究的可能方向。期盼能為往後在研究《嘎達梅林》交響詩的前輩後進們提供參考資料。

The symphonic poem “Gada-Meiren,” composed by Xin Hu Guang in 1956, is a unique music piece which integrates traditional Chinese music elements into Symphony orchestra. This is a classic piece in Chinese music because of the combination of literature and music. After receiving praise for this composition, Xin dedicated herself to exploring and collecting Mongolian folk music. Consequently, she became a trailblazer in introducing Western music education to Mongolia.This paper begins from exploring Xin’s career and the stories behind her composition. Subsequently, it analyzes the main themes and the structure of “Gada-Meiren.” Last, it provides a comprehensive interpretation and the practical conducting technique.Through the interpretation and the analysis presented in this paper, it reveals not only the aesthetics but also the cultural significance of “Gada-Meiren.” Moreover, this paper concludes by emphasizing Xin’s contributions to both Chinese and Mongolian music and provides an original perspective for further research.