當代作曲與演奏的合作關係：以三組臺灣音樂家為例

Abstract

當代音樂具備創作模式動態多元、互動性高，以及尋求聲響上的突破等特點，作曲者和演奏者在創作過程中的合作更為密切，而雙方的合作過程也影響了作品最終的樣貌。因此，作曲者和演奏者之間的合作關係逐漸變成重要的研究議題，了解雙方合作互動的方式，能夠幫助作曲者和演奏者更有效率的進行合作。本研究訪談三組不同的臺灣音樂家：作曲者黃苓瑄與大提琴演奏者林聖宭、作曲者陳珩與笙演奏者李俐錦，以及作曲者潘家琳與薩克斯風演奏者顧鈞豪，並由訪談內容分析臺灣當代作曲與演奏的合作情形。本論文共分為五章：第一章「緒論」說明研究動機，並定義研究目的與研究範圍；第二章「文獻回顧」，爬梳作曲者與演奏者合作關係的歷史流變，並整理近年較為重要的作曲演奏合作理論與研究；第三章「音樂家訪談」詳述三組音樂家的合作歷程；第四章「綜合分析」比較三組音樂家合作關係的異同，分析臺灣當代音樂創作的趨勢，找出良好合作關係中的重要元素，並學習如何建立合作關係。此外，也提出對文獻中合作模式模型的修改建議。第五章「結論」，總論全文並提出研究心得。Contemporary music is defined by its variety of creative approaches, pursuit of innovative sound exploration, and strong emphasis on interaction. Consequently, collaboration between composers and performers has become increasingly significant, with their interactions profoundly influencing the final form of a work. Investigating the collaborative relationship between composers and performers has emerged as a crucial topic, as understanding how to foster effective partnerships can enhance the co-creation of musical works. This study examines the collaborative dynamics among three pairs of Taiwanese musicians: composer Ling-Hsuan Huang and cellist Sheng-Chung Lin, composer Heng Chen and sheng player Li-Chin Li, and composer Chia-Lin Pan and saxophonist Chun-Hao Ku. Through in-depth interviews, this research explores the nature of collaboration in contemporary Taiwanese music. The thesis consists of five chapters. Chapter One outlines the research motivation, objectives, and scope. Chapter Two reviews the history and recent studies of composer-performer collaboration. Chapter Three details the collaborative processes of three musician groups. Chapter Four compares these collaborations, identifies key elements of success, and proposes adjustments to existing models. Chapter Five concludes with a summary and findings, aiming to deepen understanding of composer-performer dynamics and inspire more interactive, innovative music creation.