《冰雪奇緣》系列中女性之間愛的傳承
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2022
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時至今日，《冰雪奇緣》系列仍舊是受大眾喜愛的動畫電影。本論文旨在探討《冰雪奇緣》系列中女性之間愛的傳承，且著重於艾莎這一角色。《冰雪奇緣》系列是迪士尼第一部著重於刻劃女性親人之間的愛，而非公主王子的愛戀。第一部關於姊妹之間的愛，第二部則是母女之間的愛，這種女性親人之間的「愛」可以讓女孩成長為女人，甚至於跳脫父權社會的枷鎖，這種轉變在艾莎身上尤為明顯，因為艾莎在第二部結尾成為了半精靈，不再受世俗的性別影響，她已跳脫出框架，變成超然的存在。
The Frozen series is still a popular animation film nowadays. The main purpose of this paper is to discuss the inheritance of love between women in the Frozen series. I will focus on Elsa, one of the main female characters. The Frozen series is Disney’s first film which focuses on the love between female relatives rather than prince and princess love. Frozen is about sisterly love. Frozen II is about mother-daughter love. The “love” between female family members can help girls become women, and even be away from patriarchal society. Elsa shows this kind of transformation obviously because she becomes a half-spirit at the end of Frozen II. She is no longer influenced by gender. Elsa jumps out of the frame and becomes a transcend existence.
The Frozen series is still a popular animation film nowadays. The main purpose of this paper is to discuss the inheritance of love between women in the Frozen series. I will focus on Elsa, one of the main female characters. The Frozen series is Disney’s first film which focuses on the love between female relatives rather than prince and princess love. Frozen is about sisterly love. Frozen II is about mother-daughter love. The “love” between female family members can help girls become women, and even be away from patriarchal society. Elsa shows this kind of transformation obviously because she becomes a half-spirit at the end of Frozen II. She is no longer influenced by gender. Elsa jumps out of the frame and becomes a transcend existence.
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姊妹之愛, 母女之愛, 性別, 女性主義, 靈, sisterly love, mother-daughter love, gender, feminism, spirit