探討相聲逗笑手法應用於音樂劇之實踐 -以音樂劇《一脫到底》為例
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2024
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本詮釋報告以相聲逗笑手法切入、解析音樂劇《一脫到底》(原英文劇名:The Full Monty),並以相聲的歷史開始了解相聲之中的逗笑角色其職能變化。同時透過分析歷史名家對相聲逗笑手法的經驗總結,並與之和西方逗笑方法做對比。接著以《一脫到底》中男主角與其脫衣舞團的故事主線為主,進行逗笑手法分析、對腳本進行更趨近於相聲逗笑技法的改寫最後再進行角色分析。本論文的研究架構方面,第一章為研究方法與架構;從第二章開始進行文獻探討,內容有相聲的歷史與表演形式、相聲的逗笑手法、《一脫到底》的劇本背景和版本比較;第三章開始探索相聲的逗笑手法在《一脫到底》的應用,此章中第一節為《一脫到底》的劇情概述,然後會將相聲的逗笑手法做新的分類,為方便解析所以會將劇本進行新的場景編碼,最後會對節選的劇本文本進行逗笑手法的解析;第四章會回歸角色進行角色分析,透過對行為的側寫、場景目標的確定以及濳台詞分析,了解Jerry的形象及角色狀態;第五章則綜合上述內容對論文進行總結。
This written report explores a possible interpretation of the musical, The Full Monty, from the perspective of comic approaches in Xiangsheng(crosstalk), starting from examining its history to highlight the changes in the functions of comic characters in this traditional form of art, to summarizing multiple Xiangsheng masters’ visions of comic techniques with a comparison to western comedy genres. The report then focuses on the narrative journey of the protagonist and his striptease troupe in The Full Monty, analyzes comic techniques utilized in the text, provides a rewriting of the text in an approach paying homage to the art of Xiangsheng, and concludes with a character analysis.The first chapter introduces a methodology and an outline of the report’s structure while the second chapter presents a literature review of researches related to the history and performance forms of Xiangsheng, traditional forms of comic techniques, the background and version comparisons of the script of The Full Monty. The third chapter, as the core of this report, explores the adaptation of Xiangsheng comic approaches in rewriting The Full Monty. Its first section summarizes an overall plotof The Full Monty, and categorizes the traditional Xiangsheng comic techniques into new sorting systems. New labelling of scenes for The Full Monty will be introduced to complements the formal analysis of the adapted text of the latter section. The fourth chapter will focus on character analysis, including actions, the determination of scene goals and subtexts, to explore Jerry's image and condition. The fifth chapter will conclude the report with a summary of the above contents.
This written report explores a possible interpretation of the musical, The Full Monty, from the perspective of comic approaches in Xiangsheng(crosstalk), starting from examining its history to highlight the changes in the functions of comic characters in this traditional form of art, to summarizing multiple Xiangsheng masters’ visions of comic techniques with a comparison to western comedy genres. The report then focuses on the narrative journey of the protagonist and his striptease troupe in The Full Monty, analyzes comic techniques utilized in the text, provides a rewriting of the text in an approach paying homage to the art of Xiangsheng, and concludes with a character analysis.The first chapter introduces a methodology and an outline of the report’s structure while the second chapter presents a literature review of researches related to the history and performance forms of Xiangsheng, traditional forms of comic techniques, the background and version comparisons of the script of The Full Monty. The third chapter, as the core of this report, explores the adaptation of Xiangsheng comic approaches in rewriting The Full Monty. Its first section summarizes an overall plotof The Full Monty, and categorizes the traditional Xiangsheng comic techniques into new sorting systems. New labelling of scenes for The Full Monty will be introduced to complements the formal analysis of the adapted text of the latter section. The fourth chapter will focus on character analysis, including actions, the determination of scene goals and subtexts, to explore Jerry's image and condition. The fifth chapter will conclude the report with a summary of the above contents.
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相聲, 喜劇, 逗笑手法, The Full Monty, The Full Monty, Xiangsheng(crosstalk), comedy, comic approaches/techniques