陳奕廷小提琴學位音樂會樂曲解說報告暨規劃理念

Abstract

本篇書面報告為國立臺灣師範大學碩士學位音樂會之延伸，題為「陳奕廷小提琴學位音樂會樂曲解說報告暨規劃理念」。選取了四首來自不同音樂時期的小提琴作品，包括巴哈的《A小調第二號小提琴無伴奏奏鳴曲》，作品第一00三號；貝多芬的《A大調第二號小提琴奏鳴曲》，作品編號十二號第二首；普羅高菲夫的《五首旋律》，作品編號35A號與《D大調第二號小提琴奏鳴曲》，作品編號94A號。本篇從作曲家背景與樂曲詮釋兩方面探討，剖析其結構、主題與和聲，並說明演奏中的技術與表現挑戰。結合學術研究、文獻分析與個人練習經驗，融合理論與實踐，展現學術與音樂藝術之間的連結，並深化對各時代小提琴曲目之理解與詮釋。This written report is an extension of the master's degree recital at National Taiwan Normal University, titled "Chen Yi-Ting Violin Degree Recital Program Notes and Planning Concepts." It examines four violin works from different musical periods: Bach Violin Sonata No. 2 in A Minor, BWV 1003; Beethoven Violin Sonata No. 2 in A Major, Op. 12, No. 2; Prokofiev Five Melodies, Op. 35a; and his Violin Sonata No. 2 in D Major, Op. 94a. The report explores the composers’ backgrounds and the interpretation of the pieces, analyzing their structure, themes, and harmonic language while addressing technical and expressive challenges in performance. Combining academic research, literature review, and personal practice experience, this report integrates theory and performance, highlighting the connection between scholarly inquiry and musical artistry while deepening the understanding and interpretation of violin repertoire from various eras.