從《敘事曲，作品九》與《前奏、聖詠與賦格》織起法朗克的音樂橋樑

Abstract

西薩·法朗克（Cesar Franck, 1822-1890）是十九世紀法國浪漫主義音樂的代表人物之一，以豐富情感、宏偉結構和嚴密的對位技法著稱，作品多帶有濃厚的宗教色彩和哲學深度。法朗克的創作分為三期，鋼琴作品集中於前期與後期，本文從法朗克的生平開始探討，並於前期與後期各挑選一首作品進行研究，分別為《敘事曲，作品九》（Ballade, Op. 9）與《前奏、聖詠與賦格》（Prélude, Choral et Fugue）。法朗克的音樂橋樑不僅代表他著名的連篇形式（Cyclic form），同時代表法朗克融合不同音樂流派的獨特音樂語言，作為承先啟後的音樂橋樑。第一章緒論為研究動機與方法，第二章共二節，第一節筆者將探討法朗克的音樂生涯，第二節單獨探討鋼琴作品分期以及法朗克前期與後期的鋼琴音樂語言、特色以及創作技法，第三章與第四章為兩首作品的樂曲分析，與第二章的風格特色呼應並論證，第五章為演奏詮釋，從個人的彈奏觀點分為「速度、調性與性格」、「指法與觸鍵」、「和聲、織度與色彩」、「踏板的使用」四節，第六章為結論，作為本文研究的統整與總結。Cesar Franck (1822-1890) was one of the leading figures of 19th-century French Romantic music, born in Belgium but developed his musical career mainly in France. This article begins with the life of Franck, and selects one work for research in the early and later periods, namely “Ballade, Op. 9” and “Prélude, Choral et Fugue”. Franck's musical bridge not only represents his famous cyclic form but also symbolizes his unique musical language that integrates various musical styles, serving as a bridge between the past and the future. The first chapter introduces the motivation and method of research, the second chapter consists of two sections, the first section will discuss Franck's musical career, the second section separately discusses the period of piano works and Franck's early and late piano music language, characteristics and techniques he created. Chapters 3 and 4 are the analysis of the music of the two works, which echoes with the style characteristics of the second chapter, and the fifth chapter is the interpretation of performance, which is divided into"speed, tonality and character", "fingering and touch", "harmony, texture and color", and "the use of pedals" from the perspective of personal playing. Chapter 6 is the conclusion of the four sections, which serves as a summary of the research in this paper.