武滿徹《十一月的腳步》暨自我創作分析

Abstract

二十世紀以來，西方作曲家發展出許多不同流派的創作風格，而東方作曲家也在國際上嶄露頭角，日本作曲家武滿徹(Toru Takemitsu, 1930-1996)便是代表人物之一。創作初期受到法國音樂與二十世紀西方技法的影響，而後重拾自身的東方文化，結合東西方語彙，形成獨特的風格，在他的音樂中流盪著自然的時間與空間感，體現日本文化精神。 本論文主要從創作理念、記譜法、曲式、音形、聲部與和聲作為切入點，分析尺八與琵琶雙協奏曲《十一月的腳步》(November Step, 1967)，並探討武滿徹的音樂美學觀，最終以自我創作之分析，論述其觀念對自身之影響。

Western composers have developed various styles of music since 20th century. Meanwhile eastern composers were emerging as important figures in the international music industry. Japanese composer Toru Takemitsu (1930-1996) was one of the representatives who was influenced by France music and contemporary techniques. However, he regained Japanese tradition and developed his own style of combining the east and the west. A nature spirit of time and space is filled with his music, representing Japanese culture. The thesis mainly discusses Takemitsu’s November Step (1967) through researching on composing idea, notation, form, figures, voice leading and harmony; moreover, it discourses on Takemitsu’s music philosophy. Finally, the writer analyses her own composition and talk about the “Takemitsu influence” on her music idea.