臺灣當代阿卡貝拉之常見風格與編曲特徵－以《1+1=？》專輯為例
| dc.contributor | 李承育 | zh_TW |
| dc.contributor | Lee, Cheng-Yu | en_US |
| dc.contributor.author | 蔡欣汝 | zh_TW |
| dc.contributor.author | TSAI, Hsin-Ju | en_US |
| dc.date.accessioned | 2022-06-08T02:54:10Z | |
| dc.date.available | 2022-07-01 | |
| dc.date.available | 2022-06-08T02:54:10Z | |
| dc.date.issued | 2022 | |
| dc.description.abstract | 本篇書面報告以筆者自身擔任編曲者之阿卡貝拉專輯作為範例，歸納整理阿卡貝拉音樂之相關文獻。將已發行之阿卡貝拉專輯進行採譜分析，並訪談職業編曲者，從中探討阿卡貝拉編曲之常用手法及特徵。說明專輯理念之外，亦從音樂製作層面討論，編曲及錄音使用之軟硬體設備，最後再針對專輯收錄的各首翻唱及原創曲目，進行歌曲相關資料統整及阿卡貝拉編曲詮釋。 | zh_TW |
| dc.description.abstract | The written report of this article will take the A Cappella album arranged by the author as an example, organize the literature of A Cappella music, interview professional arranger and analyze released A Cappella album by score, to discuss common arranging technique and characteristics. To explain its concept, while discussing from the music production perspective, such as the software and hardware tools used in the process of arranging and recording, and finally focus on each cover song or original song in the album, carrying out the integration and A Cappella arrangement analysis. | en_US |
| dc.description.sponsorship | 音樂學系流行音樂產學應用碩士在職專班 | zh_TW |
| dc.identifier | 007903318-40992 | |
| dc.identifier.uri | https://etds.lib.ntnu.edu.tw/thesis/detail/e62ba3ea000bab29b687352ca04883cd/ | |
| dc.identifier.uri | http://rportal.lib.ntnu.edu.tw/handle/20.500.12235/117855 | |
| dc.language | 中文 | |
| dc.subject | 當代阿卡貝拉音樂 | zh_TW |
| dc.subject | 阿卡貝拉編曲 | zh_TW |
| dc.subject | 人聲打擊 | zh_TW |
| dc.subject | 音樂製作 | zh_TW |
| dc.subject | Contemporary A Cappella Music | en_US |
| dc.subject | A Cappella Arrangement | en_US |
| dc.subject | Vocal Percussion | en_US |
| dc.subject | Music Production | en_US |
| dc.title | 臺灣當代阿卡貝拉之常見風格與編曲特徵－以《1+1=？》專輯為例 | zh_TW |
| dc.title | Common Genre and Arranging Characteristics of Contemporary A Cappella in Taiwan: A Case Study of Album“1+1=?” | en_US |
| dc.type | 作品連同書面報告（藝術類） |