風水構圖運用於動畫概念設計創作研究

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2015

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在悠久歷史的中華文化中,有許多值得我們去發掘、演繹、傳播的美學精粹,而其中蘊含的哲學思維與自然觀是有著深厚的風水概念的。風水是中國古人追求理想環境,期盼與自然共存,達到天人合一境界的獨特學問,影響了中國山水畫、書法、建築設計,這些作品的美是顯而易見的,呈現著對理想環境與自然之美的追求。因此本創作研究希望探討分析風水圖像美學,並藉由研究受風水概念影響的文人山水畫作案例,以歸納出風水構圖邏輯,並將所歸納出的風水構圖邏輯運用在動畫概念設計(concept design)創作中。本創作研究分為三個部分進行探討,獲得結論如下:(1) 從文獻探討中發現受風水概念所影響的古典山水畫,其內容元素與構成方式是符合西方視覺心理學的概念。(2) 從案例分析中發現受到風水概念所影響的古典山水畫作品,其內容構圖是依照「龍、砂、穴、水」的風水邏輯。(3) 透過動畫概念設計案例分析,發現構圖設計重點為平衡與對比、視覺引導、鏡頭角度與取景範圍;而設計風格則是簡化、圖像化的物件外形輪廓,與簡化的細部結構與材質紋理。本創作研究根據上述風水構圖以及動畫概念設計分析結論,以電腦繪圖呈現,輔以地圖軟體,創作出融合風水構圖之概念設計圖,內容包含經典西方童話故事、臺灣景物元素、環保意涵等。期望創作研究成果能具備古今、東西融合的效果,呈現出新東方設計風格。
In the long history of Chinese culture, there is much aesthetic essence to be discovered, interpreted, and communicated to the world. The philosophical thinking and view of the nature has deep roots in the concept of Feng Shui, which is a unique body of knowledge created and enhanced by ancient Chinese in their pursuit for an ideal environment, the coexistence with nature, and eventually becoming a unified realm with nature. The concept of Feng Shui has had fundamental influence on the Chinese painting, calligraphy, and architecture. The beauty shown by these Feng Shui influenced artwork is so evident, illustrating the pursuit for ideal environment and beauty of nature. Therefore, the purpose of this research is to explore and analyze Feng Shui image aesthetics, and by studying the cases of classical Chinese landscape paintings influenced by the concept of Feng Shui, this study hoped to summarize the logic behind Feng Shui composition and apply the logic to animation concept design. The research is divided into three parts, with the following conclusions: (1) By analyzing the archives, this study found that the contents of classical Chinese landscape painting influenced by the concept of Feng Shui constitute a way consistent with the concept of Western visual psychology. (2) By studying the cases, researcher found that the composition of classical Chinese landscape paintings influenced by the concept of Feng Shui is in accordance with the Feng Shui logic content of "dragon, emery, hole, water". (3) By analyzing the concept design of animated films through case studies, researcher found that composition design focuses on: the balance and contrast, visual guidance, camera angles and shot size; the visual style is: a simplified and iconic silhouette, and simplified structure and textures. The creation of this conclusion is based on the composition of Feng Shui logic, computer graphics painting, combined with map software, creating a fusion of the concept design of Feng Shui composition, content that contains classic Western fairy tales, Taiwan landscape and animal elements, environmental implications and so on. This study hope the creative research to have ancient and modern, East and West fusion effect, displaying a new oriental design.

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風水, 動畫, 構圖, 概念設計, 山水畫, 視覺心理學, Feng Shui, animation, composition, concept design, Chinese landscape painting, visual psychology

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