刀背藏身──論徐皓峰對民初武術世界的還原與重構
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Date
2014-06-??
Authors
陳大為
Chan, Tah-wei
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Journal ISSN
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Publisher
國立台灣師範大學國文學系
Department of Chinese, NTNU
Department of Chinese, NTNU
Abstract
本文首先討論徐皓峰透過口述歷史《逝去的武林》的寫作，從傳主李仲軒的武術修練和親身經歷的武林軼事，獲得另一種類型武俠小說的寫作思維，也種下新世紀硬派武俠小說的種籽。此書即是徐皓峰建構「民國初年武術世界」的原型（prototype），也是一具在武學思想和敘事結構上的全功能裝置。從後續的三部武俠小說《道士下山》、《大日壇城》、《武士會》，可看出徐皓峰志在還原一個逝去的武林，一個充滿真實感的，以一九三○年代天津為中心的武術世界，從人物的生平事跡、拳術的學理，到兵器的形態，皆有來歷，各有所本，「裡面有真東西」的新世紀硬派武俠小說在他手裡誕生。
This paper will firstly discuss about the oral history of The Lost Martial Artswritten by Xu Hao Feng to acquire another type of thoughts of writings in martial arts, and at the same timeseeding the hardcore martial arts novels of the new generation through the martial arts discipline and self-experienced anecdotes in the world of martial arts based on the main character - LiZhong Xuan. Beside acting as the prototype for “the world of martial arts in the early republican” constructed by Xu Hao Feng, this book also acts as a full featured device for thoughts of martial arts and relevant narrative structures. Setting Tianjin in 1930s as the background, Xu Hao Feng’smartial arts novels (The Quit of a Taoist Priest, VairocanaMandala,The Samurai Organization) aimed to restore a lost world of martial arts with full of realism throughout the life stories of characters, the academics of Chinese boxing, and the formation of weapons stacked with traceable historical data, whereby having himself labeled as the pioneer writer for hardcore martial arts novels of the new generation with “real deals inside”.
This paper will firstly discuss about the oral history of The Lost Martial Artswritten by Xu Hao Feng to acquire another type of thoughts of writings in martial arts, and at the same timeseeding the hardcore martial arts novels of the new generation through the martial arts discipline and self-experienced anecdotes in the world of martial arts based on the main character - LiZhong Xuan. Beside acting as the prototype for “the world of martial arts in the early republican” constructed by Xu Hao Feng, this book also acts as a full featured device for thoughts of martial arts and relevant narrative structures. Setting Tianjin in 1930s as the background, Xu Hao Feng’smartial arts novels (The Quit of a Taoist Priest, VairocanaMandala,The Samurai Organization) aimed to restore a lost world of martial arts with full of realism throughout the life stories of characters, the academics of Chinese boxing, and the formation of weapons stacked with traceable historical data, whereby having himself labeled as the pioneer writer for hardcore martial arts novels of the new generation with “real deals inside”.