迷研究視角下的ヘタリア國家擬人文本的臺灣意象

Abstract

漫畫是庶民文化的重要表現形式，具有抵制的精神及批判的性質。 本研究以 APH 為研究對象，探究 APH 迷文本的內在認同構造。首先，探討日本漫畫的發展歷程和擬人化的表現傳統，以分析萌擬人化的構成條件。其次，定位 APH 分類系譜、解析本家版和商業版的差異，並加上國家和性別的概念、分析角色人物萌擬人化的標籤和識別，進而討論APH 的故事劇情及人物設定如何建立國家化身（national personification）的角色符號。接著，以 APH 迷為對象，討論迷的文本創作實踐。繼而，透過迷的視角詮釋並解讀迷的文本敘事策略分析迷文本的角色關係、文本劇情、迷擷取文本的符號，如何形成一個抵制真實世界意識形態的空間，並在這個空間建立迷的歷史敘事與認同情境。最後，在跨次元的移動之間，討論從迷文本延伸建立的 2.5 次元政治認同方法。

The manga as a popular cultural performance, with resistance and critical character characteristics, makes the manga cannot exist just as a text. First this article analyzes APH (about manga books and animation version) with semiotics, and focus on narrative structure with character designs which in the manga. Second, because at the discussion of the APH leads to induce the response of reader. Fans can choice the meaning of the characters from APH, they can construct fan-self with the characters sign, and the characters sign with them. Third, I’ll analysis the narrative strategy of fanzine , those are the hidden transcript which exist fans’ historical narrative and identity. At last, fans choice characters and take away from the original APH to change meanings. They always combine them and define any story forms, about the way of change, bricolage, parody, hybridity. All characters in APH will change to decode and code again. This paper argues that fanzine as a place to resist real ideology. Fans perform political identity with fanzine. For fans, this way is poaching, is a form of tactic. Fans activate beyond from APH and they predominate the rewriting way to play in the real society.