「鼠國奇境」繪畫創作研究

Abstract

本論文以研究奇幻藝術、奇幻繪畫及奇幻空間建構為目標，由於奇幻藝術是從英文Fantastic Art與Fantasy Art翻譯而來，尚無固定風格與理論基礎，使得以奇幻繪畫為類別的文獻資料不多，也缺乏發展脈絡與界定，因此先從奇幻藝術的本質——充滿想像，以及奇幻繪畫相關策展論述資料，研究藝術發展中具有奇幻想像的作品，闡明想像的繪畫作品與創作者個人、觀者、社會、生活的關係，進而分析奇幻繪畫的特色與條件。筆者不僅研究奇幻繪畫，亦討論奇幻空間的表現與建構方法，從風景的觀看至空間場域構成的轉變，進而分析繪畫空間的作品，討論創造奇幻空間的方法，以及流動意象、空間造形元素等與筆者創作有相關聯之理論。筆者創作藉由兩個世界系列延伸出「第二世界」，反觀虛擬實境與平面創作差異，將新媒體藝術的數位空間轉換成筆者的創作奇境。最後解析筆者創作之「鼠國」與「奇境」，梳理繪畫元素與創作理念，以回應本論文創作主旨。全論文分成六章，第一章緒論，第貳章奇幻藝術的發展與形式，主旨討論奇幻藝術的跨域發展與奇幻繪畫理論基礎、視覺特色研究，並於第參章奇幻空間建構中，研究奇幻空間創造理論，將筆者創作理念及實踐過程，詳細分述於第肆章鼠國印象與奇幻流動場域及第伍章作品解析，最後總結、統整論文研究與筆者創作關係。This thesis focuses on the study of fantastic art, fantastic painting, and the construction of fantastic spaces. Due to the translation of"Fantastic Art" and "Fantasy Art" from English, fantastic art lacks a fixed style and theoretical foundation, resulting in limited literature and a lack of developmental context and definition in the category of fantastic painting. Therefore, starting from the essence of fantastic art—filled with imagination—and related curatorial discourse on fantastic painting, this study explores artworks imbued with fantastical imagination in art development, elucidating the relationship between imaginativepaintings and the individual creators, viewers, society, and life, thereby analyzing the characteristics and conditions of fantastic painting.The author not only investigates fantastic painting but also discusses the expression and construction methods of fantastic spaces, from the observation of landscapes to the transformation of spatial field composition, further analyzing works of painted space and discussing methods of creating fantastic spaces, as well as theoretical elements such as fluid imagery and spatial form relevant to the author's creations. The author's creations extend into "Secondary World" through the "Two Worlds" series, contrasting virtual reality with flat creations and transforming digital spaces of new media art into the author's creative wonderland. Finally, the author analyzes the works "Mouse Country" and "Wonderland," dissecting painting elements and creative concepts in response to the main theme of this thesis. The entire thesis is divided into six chapters: Chapter One is the introduction; Chapter Two discusses the development and forms of fantastic art, focusing on the interdisciplinary development of fantastic art, theoretical foundations of fantastic painting, and studies on visual characteristics; Chapter Three explores the construction of fantastic spaces, studying theories of creating fantastic spaces and detailing the author's creative concepts and processes; Chapter Four presents impressions of "Mouse Country" and fantastical flowing fields; Chapter Five analyzes the works; and finally, Chapter Six concludes and synthesizes the relationship between the thesis research and the author's creations.