從音樂傳播的角度看民族音樂元素於器樂曲的運用—以鍾耀光《胡旋舞—給長笛和國樂團》為例

Abstract

本論文選取鍾耀光的作品《胡旋舞—給長笛和國樂團》作為研究主題，從音樂傳播的角度進行分析並探討民族音樂元素的運用。本文將以音樂傳播為出發點，分析「胡旋舞」之歷史，從作曲家的生平以及其作品特色分析《胡旋舞—給長笛和國樂團》樂曲的創作動機和樂曲分析，再結合樂曲中的舞蹈元素進行探討，最後總結樂曲《胡旋舞》中舞蹈元素的運用。希望藉由音樂傳播對舞蹈和樂曲之間進行不同層面的分析，探討民族音樂元素在現代化傳播中的多元運用，以此對「胡旋舞」舞蹈元素的保存有著更好的紀錄，並為《胡旋舞》樂曲的演奏者提供不同的詮釋觀點。

This dissertation chooses the work of Yiu-Kwong Chung “Whirling Dance for Flute and Chinese Orchestra” as research topic, from the perspective of musical communication and the application of ethnic elements. Starting from the historical issues of “Whirling Dance” and the background of this composition, the research will involve the characters of the composer and the analysis of motives, and the application of dance elements. In order to preserve “Whirling Dance” and contribute different views for the interpretation, the dissertation provides the analysis in various ethnic element through features of the dance and music, and the discussion on the practice of modern communication.