蔽日原野：陳昱蓁水墨創作論述

Abstract

內向者於當代社會已不似過往在社交活動中處於劣勢的族群。性格穩定平靜、做事謹慎、擅於傾聽的特質，逐漸被人看見成為團體生活裡安定的群眾基礎；然因性格偏好隱藏的緣故，內向者較少張揚個人觀點，性格內向的筆者期望透過本文探討自身內向心理的思考模式，以植物為主題的繪畫及拼貼手法實踐內向人格特質於創作中，故本論文嘗試融合藝術觀點、心理學及植物學間的論述建構創作脈絡，闡述如何於忙碌的工作中透過水墨創作獲得沉澱心靈的慰藉並藉以抒發內心複雜又綿延思緒。圍繞於筆者蔽日原野水墨創作，本文研究共分為五個章節：第一章闡述筆者研究內向性格的動機和目的，說明研究內容與限制、研究方法與及各相關名詞解釋；第二章以內向者特質定義「綿延」的心境，包含揭示榮格心理類型學與哲學家亨利‧柏格森思想以及融合植物學的探究，分別彙整個人生命經驗、植物型態及藝術投射三面向談論綿延之意涵；第三章敘述筆者的創作脈絡，分別以踏查原野圖像、發展蔽日形式、定義拼貼觀點三節搭配藝術家創作圖像，剖析與研究相關藝術創作，再於第四節揭露筆者創作模式。第四章解析「蔽日原野」為主題的水墨創作，講述系列作品及個別作品之創作理念及手法，展現筆者如何透過創作回應綿延概念，藉由工筆結合拼貼的創作手法，體現筆者內在思緒形塑的原野風景；最後，第五章總結筆者研究與創作的感想，自內省中奠定自我認同及未來藝術創作的根基。In contemporary society, introverts are no longer the socially disadvantaged group they once were. Their stable, calm dispositions, cautious approach, and ability to listen are increasingly recognized as a foundation for stability in group life. However, due to their tendency to conceal their personalities, introverts are less likely to publicly voice their opinions. Through this research, as an introvert, I wish to explore my own introverted thinking patterns and botanical-themed painting by collage techniques, incorporate these introverted traits into my artwork. This research attempts to integrate artistic perspectives, psychology, and botanical theories to construct a creative framework, exploring how I can find solace in my soul through express my complex and lingering thoughts between busy work and ink painting creations.Focusing on the author's ink painting creations in The Unusual Wildness, the study is divided into five chapters: Chapter 1 explains the author's motivation and purpose for studying introverted personalities, explaining the research content and limitations, research methods, and explanations of relevant terms; Chapter 2 defines the state of mind of "duration" based on the characteristics of introverts, including revealing Jung's psychological typology and the thoughts of philosopher Henri Bergson, and integrating botanical research, discussing the meaning of duration from three aspects: the whole life experience, plant morphology, and artistic projection; Chapter 3 describes the author's creative context, combining three sections: exploring wilderness images, developing the shadow form, and defining the collage concept, with artists' creative images, analyzing and studying related artistic creations, and then revealing the author's creative model in the fourth section. Chapter Four analyzes the ink paintings themed " The Unusual Wildness", describing the creative concepts and techniques of both the series and individual works, demonstrating how the author responds to the concept of duration through the creations. By combining meticulous brushwork with collage, I embodies the wilderness landscape by my inner thoughts. Finally, Chapter Five summarizes the author's reflections on research and creation, laying the foundation for self-identity and artistic creation through introspection in the future.