戀戀臺灣情-蔡士彬當代水墨創作論述
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2025
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本論文是以「戀戀臺灣情」為主題的研究與創作,臺灣野鳥在本次創作研究中,是主要取材的標的與情境設定的思考。所以憑藉著圖像的運用,鳥類生態的表現,筆者藉由生活上的經驗搜集臺灣野鳥生態,藉由畫面與禽鳥動物的樣態,呈現個人的心情感悟與意涵。筆者以水墨創作為意象表現的基礎,應用傳統水墨及當代水墨的創作形式與技法,希望能有不同筆者以往的繪畫風格。論文共分五章:第一章—緒論,研究動機與目的,研究內容與範圍,研究方法,名詞釋義;第二章:臺灣特有種生物及臺灣野鳥探討,臺灣特有種鳥類生態(以作品鳥類為探討),臺灣野鳥生態(以作品鳥類為探討),臺灣特有種動物以臺灣黑熊及臺灣雲豹生態為探討,臺灣近代名畫家作品賞析。第三章:戀戀臺灣情創作理念與實踐,分別就創作理念與創作實踐做約略的概述。第四章:創作實踐與作品解析,作品以臺灣特有種鳥類、臺灣野鳥和臺灣特有種動物為分類。第五章:結論,創作省思與未來展望。筆者的繪畫作品,大部份以花鳥為主,次以山水風景,此次的研究創作,透過研究所學到的有別於傳統水墨的概念及當代水墨觀念與技法,及此次對臺灣鳥類生態,臺灣動植物生態的探討與研究,以鳥類生態創作加入自己的生活體驗及情感寄託。表達個人的創作理念。希望未來能在生態藝術方面作一番努力,發展出個人藝術創作語彙的作品。
This paper is a research and creation based on the theme of"Love for Taiwan". Taiwan's wild birds are the main subject of material and context setting in this creative research. Therefore, through the use of images and the expression of bird ecology, the author collected information about Taiwan's wild birds based on his life experience, and presented his personal feelings and implications through the images and the appearance of birds and animals. The author uses ink painting as the basis for the expression of images, and applies the creative forms andtechniques of traditional and contemporary ink painting, hoping to have a painting style that is different from the author's previous style. The paper is divided into five chapters: Chapter 1 - Introduction, research motivation and purpose, research content and scope, research methods, and definitions of terms; Chapter 2: Discussion on Taiwan's endemic species and Taiwan's wild birds, the ecology of Taiwan's endemic bird species (discussed based on the birds in the works), the ecology of Taiwan's wild birds (discussed based on the birds in the works), Taiwan's endemic animals, focusing on the ecology of the Taiwanblack bear and the Taiwan clouded leopard, and appreciation of the artist's works. Chapter 3: The creative concept and practice of Love for Taiwan, briefly outlines the creative concept and practice respectively. Chapter 4: Creative practice and work analysis. The works are classified into Taiwan endemic bird species, Taiwan wild birds and Taiwan endemic animal species. Chapter Five: Conclusion, creative experience and future prospects. Most of the author's paintings are based on flowers and birds, followed by landscapes. This time, through the concepts and techniques of contemporary ink painting that are different from traditional ink painting learned from research, as well as the exploration and research on the bird ecology, flora and fauna of Taiwan, I added my own life experience and emotional sustenance to the creation of bird ecology. Express personal creative ideas. I hope to make efforts in ecological art in the future and develop works with my own artistic vocabulary.
This paper is a research and creation based on the theme of"Love for Taiwan". Taiwan's wild birds are the main subject of material and context setting in this creative research. Therefore, through the use of images and the expression of bird ecology, the author collected information about Taiwan's wild birds based on his life experience, and presented his personal feelings and implications through the images and the appearance of birds and animals. The author uses ink painting as the basis for the expression of images, and applies the creative forms andtechniques of traditional and contemporary ink painting, hoping to have a painting style that is different from the author's previous style. The paper is divided into five chapters: Chapter 1 - Introduction, research motivation and purpose, research content and scope, research methods, and definitions of terms; Chapter 2: Discussion on Taiwan's endemic species and Taiwan's wild birds, the ecology of Taiwan's endemic bird species (discussed based on the birds in the works), the ecology of Taiwan's wild birds (discussed based on the birds in the works), Taiwan's endemic animals, focusing on the ecology of the Taiwanblack bear and the Taiwan clouded leopard, and appreciation of the artist's works. Chapter 3: The creative concept and practice of Love for Taiwan, briefly outlines the creative concept and practice respectively. Chapter 4: Creative practice and work analysis. The works are classified into Taiwan endemic bird species, Taiwan wild birds and Taiwan endemic animal species. Chapter Five: Conclusion, creative experience and future prospects. Most of the author's paintings are based on flowers and birds, followed by landscapes. This time, through the concepts and techniques of contemporary ink painting that are different from traditional ink painting learned from research, as well as the exploration and research on the bird ecology, flora and fauna of Taiwan, I added my own life experience and emotional sustenance to the creation of bird ecology. Express personal creative ideas. I hope to make efforts in ecological art in the future and develop works with my own artistic vocabulary.
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臺灣情, 臺灣特有種, 臺灣野鳥, 當代水墨, 傳統水墨, Taiwan sentiment, Taiwan endemic species, Taiwan wild birds, contemporary ink painting, Traditional Ink Painting