客家箏曲《出水蓮》與王瑞《雨蓮花開》之樂曲分析與演奏詮釋
| dc.contributor | 賴秀綢 | zh_TW |
| dc.contributor | Lai, Hsiu-Chou | en_US |
| dc.contributor.author | 丁楹 | zh_TW |
| dc.contributor.author | Ding, Ying | en_US |
| dc.date.accessioned | 2025-12-09T08:20:07Z | |
| dc.date.available | 2025-08-07 | |
| dc.date.issued | 2025 | |
| dc.description.abstract | 箏,經由漫長的發展與歷史演變,漸漸擴展至各地並扎根於民間,傳統箏樂成為民間音樂的一部分,同時衍生出各個流派。傳統箏曲不僅承載了豐富的歷史文化內涵,對於現代箏樂創作也具有重大意義。在箏樂技巧快速增長的當代,身為古箏演奏者,有責任也有必要去了解並鑽研傳統與現代不同之處。本研究以客家箏曲為研究對象,文中以《出水蓮》與王瑞《雨蓮花開》(2019) 兩首樂曲來探討客家箏樂之演變歷程及其內涵。《出水蓮》為客家大調箏曲,《雨蓮花開》則是以傳統客家箏曲《出水蓮》作為核心曲調,以此素材加以發展之創作。 本文以剖析傳統客家箏樂為主,探討此流派之形成原因、歷史脈絡以及其中蘊含的文化和藝術價值。接續章節分別為《出水蓮》、《雨蓮花開》兩首樂曲之分析,藉由分析樂曲結構與演奏詮釋來了解其內涵,深入了解樂曲之意境,並從中了解此流派之藝術風格及其美學價值。 先有傳統後有現代,此為藝術文化之演進過程,隨著時代的發展與變遷,現代箏樂在技法與表現力上不斷進步,傳統音樂的保存與傳承顯得更為重要。期望藉由本研究深刻理解傳統樂曲的重要性,同時掌握現代樂曲中的技巧與意涵,為傳統與現代的共融提供新的視角,並促進箏樂藝術的傳承與創新。 | zh_TW |
| dc.description.abstract | The guzheng, through a long historical evolution, has gradually spread across various regions and taken root in folk traditions, eventually forming distinct regional schools, each with its own cultural and artistic value. Traditional guzheng music not only embodies a rich cultural heritage but also holds significant meaning for contemporary musical creation. As the performance techniques of the guzheng have rapidly evolved, it is both a responsibility and necessity for modern guzheng performers to deeply understand the differences between tradition and modernity.This study focuses on Hakka guzheng music by analyzing two representative works: The Water Lotus and The Rain Lotus Blooms. While The Water Lotus is a classic Hakka da-Diao (major tune) guzheng piece, The Rain Lotus Blooms is a modern composition developed from the musical material of The Water Lotus, showcasing a creative reinterpretation of tradition. This paper aims to explore the development and cultural significance of Hakka guzheng music by examining its historical background, stylisticformation, and aesthetic values. Through structural analysis and interpretative discussion of the two selected pieces, the research delves into their musical imagery, performance characteristics, and artistic essence, ultimately providing insights into the aesthetic principles and performance practices of the Hakka guzheng tradition.With tradition as the foundation and modernity as the extension, the evolution of musical art reflects the cultural transformations of each era. As modern guzheng music continues to push the boundaries of technique and expression, the preservation and transmission of traditional music become ever more crucial. This study aims to offer a new perspective on the integration of tradition and innovation, contributing to the inheritance and further development of guzheng art. | en_US |
| dc.description.sponsorship | 民族音樂研究所 | zh_TW |
| dc.identifier | 61091008M-48145 | |
| dc.identifier.uri | https://etds.lib.ntnu.edu.tw/thesis/detail/c148fa564c2e9e11d3071106188ed0b2/ | |
| dc.identifier.uri | http://rportal.lib.ntnu.edu.tw/handle/20.500.12235/125849 | |
| dc.language | 中文 | |
| dc.subject | 客家箏樂 | zh_TW |
| dc.subject | 饒寧新 | zh_TW |
| dc.subject | 王瑞 | zh_TW |
| dc.subject | 《出水蓮》 | zh_TW |
| dc.subject | 《雨蓮花開》 | zh_TW |
| dc.subject | Hakka guzheng music | en_US |
| dc.subject | Rao Ning Xin | en_US |
| dc.subject | Wang Rui | en_US |
| dc.subject | The Water Lotus | en_US |
| dc.subject | The Rain Lotus Blooms | en_US |
| dc.title | 客家箏曲《出水蓮》與王瑞《雨蓮花開》之樂曲分析與演奏詮釋 | zh_TW |
| dc.title | Analysis and Interpretation of Hakka Zheng Music The Water Lotus and Wang Rui’s The Rain Lotus Blooms | en_US |
| dc.type | 作品連同書面報告(藝術類) |
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