水墨創作的跨界思考與精神性探求

Abstract

本論文《水墨創作的跨界思考與精神性探求》，以試圖探討跳脫水墨創作內涵中既定的範圍與思考方式，並嘗試以相關或其他與水墨不同領域的事物來做結合，藉由彼此激盪，發展出自由且多面相的思考及試驗空間。

「跨界思考」與「精神性探求」是為本論文內容研討及理論價值的核心。筆者以「跨界思考」作為對水墨創作的關心，其目的在於跨界時參考他人的經驗、對策與靈活的思考運用，希望在創作過程中能試著找尋新的解決辦法來做突破嘗試，並且善用領域之間彼此的碰撞激盪，跳出既有領域框架來發現新的創作能量，同時也順著自己的性情與習慣來建立一套適合自己的創作思維及模式。而「精神性探求」則將部分哲學形上的內容觀點，藉著分析與體會，將其內涵由抽象思考轉化為具體行為後，拿來用以反省或將觀念直接落實到創作當中，並且用以檢視觀察自我本身創作的態度，與實現、對應自我意志和對待作品時的反映。

由於論文的結果在於創作本身，所以基於對創作本質上的自由精神，筆者在繪畫實行的過程和實踐中，則試著引發多面向的發展與開闢新的思考空間，而這些企圖與內涵，最後將會集中探討筆者創作的內容與實踐上。筆者透過本次的研究，除了是對自己創作本身所做的總體探究後的實驗與實踐，也作為日後水墨在「創作」發展上可嘗試實行的一個思考微點。In this Master Thesis, entitled 〝The Inter-Disciplinary Thinkings And Spiritual Exploration of Chinese Painting Creation〞,the author intents to conduct the exploration to vault over the fixed extent and the thinking modes originally lying in the Chinese painting creation. Also, the author makes an attempt to couple the Chinese old-age art with other connected or diverse things to bring about mutual influence, from which free multi-faced thinkings and tested room are developed.

〝Inter-disciplinary〞and〝spiritual exploration〞are the heart of the contents and theoretical value. In the former, the author reveals his fierce affection toward this traditional art creation. The major purpose is to refer to predecessors' experiences, strategy and flexible exercise when vaulting, expecting to seek for new solutions to make a breakthrough and utilize well the mutual influence between domains to leap across the limit-existing frame. By this way, the author can find out fresh creative energy and follow own traits to establish a set of suitable creative thoughts and modes. While in the latter, the author extracts part of metaphysical views of philosophy and transforms abstract thinking connotation into concrete acts after analyzing and realizing, which the author not only uses to review or directly apply to creation but uses to observe personal creative attitudes and reflection reflected on self-will and works.

The result of the Master Thesis consists in the creation, so based on its free spirit in itself, the author makes efforts to arouse multifaced development and exploits brand-new thinking room. Those attempts and signification are finally centered on the author's creative contents and fulfillment. Via this study besides being a post-overall-explored experiment and fulfillment that the author makes for own creation, it can be seen as a practicable sample in the Chinese painting development.